The National Gallery of Art in Washington, D.C. will hold a public screening of the award-winning documentary film Native New Yorker, by Steve Bilich, as part of a retrospective entitled “AMERICAN EXPERIMENTS IN NARRATIVE: 2000-2015”, that has been programmed by curator and archivist Jon Gartenberg. This series highlights contemporary American films (made in the 21st century), that focus on formal experimentation with narrative structure and which incorporate reflections upon individual identity, the family structure, the fabric of the community, and the larger political culture.
The screening of Native New Yorker will take place on Saturday, May 30 at 2:00 p.m. in a program together with NYC Weights and Measures by Jem Cohen and The Time We Killed by Jennifer Reeves.
Native New Yorker is a cerebral and thought-provoking investigation and commentary on Native American influence on New York City. Filmed with a 1924 hand-crank Cine-Kodak camera, the silent documentary follows Shaman Trail Scout ‘Coyote’ as he travels from Inwood Park (where the island was traded for beads and booze), down a native trail (now known as “Broadway”), into lower Manhattan (a sacred burial ground). Shot before, during and after 9/11, the film comes together with a breathtaking original score by William Susman to portray this journey, transcending through time and space.
The film has won many accolades, including the Best Documentary Short at the 2006 Tribeca Film Festival. Upon its release, The Austin Chronicle raved that Native New Yorker was, “the stuff dreams – and nightmares – are made of,” while New Internationalist called the film “…a conventionally unclassifiable short…In 13 minutes it brilliantly encapsulates aeons.” The film has screened at festivals worldwide, including the Sound of Silent Film Festival with a live orchestra, and most recently the 50th Pesaro Film Festival in Italy, as part of “Panorama U.S.A.”
Tags: 9/11, Cine Kodak, experimental music, film, National Gallery, Native American, new york, silent film, Tribeca
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